From the Letterman show to the French shore…….
Les Productions Le Moulin
Fred Eaglesmith and his group
Sunday, September 26 at the Club in Little Brook at 8pm
Tickets: $15 in advance; ($20 at the door)
Saulnierville Pharmacy; Weymouth Drug Store; Paul-Emile Comeau: 769-3288 email@example.com
A few important facts about Fred Eaglesmith:
Numerous artists have recorded his songs.
-Alan Jackson’s Freight Train (title song of his best-selling 2010 album); Miranda Lambert: “Time To Get A Gun”; Toby Keith: “White Rose”
-Eaglesmith has also had his songs recorded by such notable fellow songwriters as The Cowboy Junkies, bluegrass stars James King (who took Eaglesmith’s “Thirty Years of Farming” to the top of the bluegrass charts) and Ralph Stanley II, among many others, and has been the subject of three tribute albums.
-Martin Scorsese and James Caan have used his compositions in film projects, and Toby Keith included Eaglesmith’s recording of “Thinking ‘Bout You” in his film “Broken Bridges” and its soundtrack CD.
*Click on the following link to see Eaglesmith’s performance on the Late Show with David Letterman (Friday June 18, 2010)
Raves from the press
“If you’re missing Fred Eaglesmith, you’re really missing out” -The New Yorker Magazine
“devastatingly good, economical songwriting” –Philadelphia Inquirer
“a prolific singer/songwriter often hailed as a genius at his craft” –Arizona Daily Star
“His canon of well over 1,000 songs is stunning” – New Brunswick Daily Gleaner.
As far as songwriters go, Eaglesmith “may be the best” -Ray Wylie Hubbard (legendary Texas singer-songwriter)
“a truly timeless brand of primitive rock’n’roll [that is] exactly like the sort of music you dream of hearing in some crowded, hot, beery bar near closing time” – Amazon.com review of live album
“In his rough-hewn tunes about tractors and trains to his delicate, emotional renderings dealing with lost love, listeners find an unvarnished beauty in his prose.” -St. Petersburg Times
The following is an edited version of his biography:
An award-winning and acclaimed music auteur of the highest order, he has forged a singular and distinctive legacy with his songs, recordings, live performances, achievements and impact unlike that of anyone else in contemporary music. And done so as a fiercely independent and original artist through the sheer power of the music he creates.
His 18 albums over the last three decades – many of them released on his own label – have consistently evoked critical raves, and he’s been compared to a broad blue-ribbon list of musical icons. His fellow songwriters regularly record his songs and sing his praises. He hosts a number of music festivals across North America, where he plays hundreds of dates a year in addition to touring Europe and Australia. Devoted fans follow him from one show to another to savor what one reviewer calls the “fury and fun” of his concerts. His releases consistently hit the upper reaches of the Americana charts, and he’s the only Canadian to ever write a No. 1 bluegrass hit. His songs have even become part of the course curriculum at two colleges, and the paintings he creates when not making music have been shown in numerous prestigious galleries.
His latest album, 2008’s Tinderbox, amply displays the qualities that have made Eaglesmith a true cult phenomenon. Nominated for a Juno Award for Roots & Traditional Album of the Year as well as making the short list for The Polaris Prize, the Top 10 Americana chart album explores spirituality, faith, life, love, labor and more within a full-blooded musical and lyrical experience that draws from folk, country, rock, gospel, old-time music, bluegrass and even spoken word to create a stunning contemporary roots music all its own. It’s been hailed as a “masterwork” (Philadelphia Inquirer), “milestone” and “one of the best albums of last year” (San Jose Metro) as well as “exceptional” (Americana Roots), “beautiful” (Ink 19), “magical” (Houston Press), “magnificent” (Rave), “hypnotic” (Santa Barbara News Press), “epic in scope and cinematic in effect” (Guelph Mercury) and“a deep, sad and masterful album that transcends genre and time. It is Tom Waits meets Pink Floyd meets Hank Williams” (Calgary Herald).
Reviews of Tinderbox have also likened Eaglesmith to Bruce Springsteen and Woody Guthrie as well as Texas singer-songwriter heroes Guy Clark and Steve Earle. He followed the album by crisscrossing America and Canada to rapturous audience receptions as well as similar response on tours to Holland, Belgium, Great Britain and Australia.
Onstage he is also a sharp between song raconteur whose tales and observations are as keen and compelling as his songs and frequently as hilarious as the best stand-up comedians. For many years running, he has hosted the annual Roots on the River festival in Vermont, the Fred Eaglesmith Texas Weekend at Gruene Hall (the mother church of the Lone Star State music scene) and two more yearly festivals in Canada. His youthful travels hopping freight trains inspired the Roots on the Rails rolling music festivals, for which he currently hosts two annual rail trips that ride everywhere from scenic and historic narrow gauge lines in the American West to, this last year, into the Canadian Arctic.
Through it all, Eaglesmith remains modest and resolutely hard working. He also gives generously of his time and talents to such causes as his own fundraising initiative to equip migrant farm workers with bicycles, reflectors and safety devices (Reflections), as well as being a spokesman, along with Bono and Alanis Morisette, for Oxfam’s Make Trade Fair campaign. He also does charity work for The Schizophrenia Society of Canada, The Fur and Feather Wildlife Center, The Equestrian Association for the Disabled, World Vision International and conservation efforts near where he lives in Southern Ontario.
“I have the weirdest career in the world, a little tiny career that works so well,” Eaglesmith concludes of the artistic niche he has carved out for himself. “I’m just so lucky and so fortunate, I try not to take it for granted.”